Yesterday, I finished reading Gorm Henrik Rasmussen’s excellent book about Nick Drake ‘Pink Moon: A Story About Nick Drake‘ and went to see a wonderful new documentary, ‘Searching For Sugar Man‘. Impossible not to draw links between the two. Unfortunately, I’d read a piece about the documentary that gave away a major surprise. The less you know about the singer Rodriguez before seeing the movie, the better. No big spoilers here. The film tells the story of a singer-songwriter from Detroit who made two great but ignored albums in 1970 and 1971, then vanished. He was rumoured to have killed himself onstage as a protest against audiences who talked through his music. Drake made three albums in his lifetime and walked off stage during his final…
I missed this year’s Bruce Springsteen tour, partly because I’m not very keen on massive stadium gigs, though I did get down the front for Bruce at Glastonbury. Wasn’t too bothered, as I’ve seen him ten times before, but I wish I’d been to the show his band played at Helsinki on the last day of last month. The legend always had it that Bruce played four hour sets, but they usually came in nearer three. At Helsinki, however, he played for four hours and five minutes. AND he played an unannounced 25 minute acoustic set for early arrivals. Recordings, needless to say, circulate. This seems the most appropriate track to feature, from the encores that night, a cover of Southside Johnny & The Asbury…
A slightly extended version of my review for the Nottingham Post. Nottingham has waited 35 years for Scritti Politti. None of the band’s previous incarnations, from do-it-yourself post-punk to neo-soul success, have toured heavily. Singer/songwriter Green Gartside suffers from crippling stage-fright. An approximation of the current line-up produced the excellent White Bread, Black Beer album in 2006. Green’s already played Nottingham once this year, in the Sandy Denny tribute, where he seemed confident and sang wonderfully. Perhaps, at a youthful 57, he’s ready for us. Or perhaps not. ‘Are you alright? Because I’m terrified. Thank you for coming,’ he begins. ‘Good night.’ The band kick off with classic ‘Sweetest Girl’. Five years ago, when I saw the new incarnation at Sheffield’s Leadmill,…
In the week of the Harrogate Crime Writing Festival (see post below) and the Booker prize long list (on which I’m delighted to find this debut, indie novel by a fellow member of Nottingham Writers Studio), it’s more than appropriate to host this particular guest post by Nicola Monaghan, aka Niki Valentine. Like last year’s guest poster, Lawrence Block, Niki wrote one of the Crime Express novellas, the very fine The Okanawa Dragon. I’ll be taking a proof of Possessed on holiday with me. It’s already available as an e-book and will be published in paper on October 25th. I am frequently asked what the difference is between my Niki Valentine books and those I write as Nicola Monaghan. I am tempted to say the Valentine…
It’s fifteen years since I last attended a Crime festival. Why? I was spoiled, in that, for several years we had Shots On The Page here in Nottingham – in 1995, we had Bouchercon, too, a rare honour. In 1997, I MCed a huge launch for the anthology I’d edited, City Of Crime, in a Council House ballroom packed with crime writers. Hard to follow that. I stopped writing YA crime novels soon afterwards. The market had changed, thanks to Harry Potter, and I was ready for a change, too. But last year I published my first crime novel for adults, Bone and Cane, and this year Mark Billingham was kind enough to invite me to host a table at the Theakston’s Old Peculier crime writing festival. In…