{"id":2989,"date":"2016-01-10T15:40:32","date_gmt":"2016-01-10T15:40:32","guid":{"rendered":"http:\/\/www.davidbelbin.com\/?p=2989"},"modified":"2016-01-10T15:50:48","modified_gmt":"2016-01-10T15:50:48","slug":"the-fade-out","status":"publish","type":"post","link":"https:\/\/www.davidbelbin.com\/blog\/2016\/01\/the-fade-out\/","title":{"rendered":"The Fade-Out"},"content":{"rendered":"<p><a href=\"http:\/\/www.davidbelbin.com\/2016\/01\/the-fade-out\/thefadeout_01_\/\" rel=\"attachment wp-att-2990\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2990\" src=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/01\/thefadeout_01_-198x300.jpg\" alt=\"thefadeout_01_\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/01\/thefadeout_01_-198x300.jpg 198w, https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/01\/thefadeout_01_.jpg 593w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.davidbelbin.com\/2016\/01\/the-fade-out\/fadeout_teaser_01\/\" rel=\"attachment wp-att-2991\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-2991\" src=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/01\/3-191x300.jpg\" alt=\"fadeout_teaser_01\" width=\"191\" height=\"300\" srcset=\"https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/01\/3-191x300.jpg 191w, https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/01\/3.jpg 573w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" \/><\/a><\/p>\n<p>I don&#8217;t have books of the year, as I don&#8217;t read books by year. I read a handful of new books, especially poetry,\u00a0 as soon as they come out but, mostly, they pile up. I buy hardbacks that I know I&#8217;ll want to hold onto (eg the new Frantzen and Elvis Costello&#8217;s autobiography), but their high price doesn&#8217;t include the biggest expense involved in a thorough read: my time. As often I&#8217;ll wait for the paperback to come out or buy it on Kindle when I see a good deal. I don&#8217;t like reading to feel like a duty (except when <em>it is<\/em> a duty because I&#8217;m marking it or reading for other professional reasons). And I like to be partially guided by serendipity. For instance, I was sorting out a huge pile of books in the front room the other day and came upon <em>Tolkien&#8217;s Gown<\/em> by Rick Gekoski, which I&#8217;d started, then let get buried, which has now become my bedtime read.<\/p>\n<p>An exception to the above is comics (and, to continue the City of Literature theme, I see comics and song lyrics as being just as much part of our literature as plays and poems). There are writer\/artists whose every work I read as soon as it comes out eg Adrian Tomine, Seth, Alan Moore, the Hernandez Brothers and, lately, Ed Brubaker. I came across Brubaker when he took over from Bendis on his excellent <em>Daredevil<\/em> run (<em>Daredevil <\/em>is the only new superhero comic I ever read, unless you count <em>Alias<\/em>, also by Bendis, currently on Netflix as the engaging <em>Jessica Jones<\/em>). I spotted it in Nottingham&#8217;s <em>Page 45<\/em> store and was intrigued by its &#8217;40s film noir style and setting. I devoured the comics as they came out, then realised it was in three four-part arcs (the first two now in book form), and decided to save the last arc until it was complete. I survived the wait by reading all five volumes of its predecessor,\u00a0<em>Fatale<\/em>, which I liked a lot but isn&#8217;t quite as fully achieved as\u00a0<em>The Fade-Out<\/em>.<\/p>\n<p>Issue 12 came out this week and, yesterday, I reread issue 8 then had a slow read of the final four. It&#8217;s a satisfying, superbly structured, well-rounded story, with outstanding artwork by Sean Philips. Somebody&#8217;s bound to make a movie of it but there&#8217;s too much to fit in. The <em>Boardwalk Empire<\/em> team could do it justice in a mini-series. It&#8217;s a completely grown-up comic, set in the aftermath of the horrors of the Second World War. It&#8217;s shot through with cynicism yet full of tender spots, with good insights into relationships and a firm sense of Hollywood history (there are some good short prose pieces about this at the back of every issue, too).<\/p>\n<p><em>The Fade-Out<\/em> is the best new comic I&#8217;ve read in ages and fully justified repeated visits to the store to see if the new issue&#8217;s out yet. I could have saved half my money and had one complete, satisfying binge had I waited for the inevitable fat paperback of the whole thing. But it&#8217;s more than habit that draws me to the serialised story. I love the shared experience, watching a series develop, reading the writer&#8217;s comments on the letters page (you never get those in the collections) as it evolves. Feeling part of it, rather than a passive consumer. The buggers do take up a lot of space though. Before I go to this <a href=\"http:\/\/fiveleavesbookshop.co.uk\/events\/over-land-over-sea-poems-for-those-seeking-refuge-nottingham-book-launch\/\">book launch <\/a>(for a refugee <a href=\"http:\/\/fiveleavesbookshop.co.uk\/wp\/wp-content\/uploads\/2015\/11\/Poets4Refugees-Over_Land_Over_Sea.jpg\">charity anthology<\/a> that contains only my second poem of the century, if there are any Belbin collectors out there), I need to create some shelf space to put them in&#8230;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I don&#8217;t have books of the year, as I don&#8217;t read books by year. I read a handful of new books, especially poetry,\u00a0 as soon as they come out but, mostly, they pile up. I buy hardbacks that I know I&#8217;ll want to hold onto (eg the new Frantzen and Elvis Costello&#8217;s autobiography), but their high price doesn&#8217;t include the biggest expense involved in a thorough read: my time. As often I&#8217;ll wait for the paperback to come out or buy it on Kindle when I see a good deal. I don&#8217;t like reading to feel like a duty (except when it is a duty because I&#8217;m marking it or reading for other professional reasons). And I like to be partially guided by serendipity. For&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2989","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/2989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/comments?post=2989"}],"version-history":[{"count":12,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/2989\/revisions"}],"predecessor-version":[{"id":3003,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/2989\/revisions\/3003"}],"wp:attachment":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/media?parent=2989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/categories?post=2989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/tags?post=2989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}