{"id":3147,"date":"2016-09-01T11:56:49","date_gmt":"2016-09-01T11:56:49","guid":{"rendered":"http:\/\/www.davidbelbin.com\/?p=3147"},"modified":"2016-09-09T08:39:34","modified_gmt":"2016-09-09T08:39:34","slug":"august-reading","status":"publish","type":"post","link":"https:\/\/www.davidbelbin.com\/blog\/2016\/09\/august-reading\/","title":{"rendered":"The Fifty page rule. My August reading."},"content":{"rendered":"<p><a href=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/09\/2016-09-01-12.26.05.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3150\" src=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/09\/2016-09-01-12.26.05-300x200.jpg\" alt=\"2016-09-01 12.26.05\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/09\/2016-09-01-12.26.05-300x200.jpg 300w, https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/09\/2016-09-01-12.26.05-768x512.jpg 768w, https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/09\/2016-09-01-12.26.05-1024x683.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>I normally do a holiday reading blog around this time of year. We&#8217;ve been unable to get away, although a weekend in Whitby beckons. However, I&#8217;ve been enjoying the sunshine and my last month running our UNESCO City of Literature, whose first director, <a href=\"http:\/\/www.nottinghamcityofliterature.com\/sandeep-mahal-new-director-of-nottingham-unesco-city-of-literature-introduces-herself-on-her-first-day\/\">Sandeep Mahal<\/a>, starts today, which is very exciting. I&#8217;ve been helping sort out the publication of the <a href=\"http:\/\/www.dawnoftheunread.com\/\">Dawn of the Unread<\/a> book, and I&#8217;ve also done plenty of reading, finishing a book I started nearly forty years ago (see the post below), dipping into numerous short story and poetry collections and devouring a few novels. Here they are, in the order in which I read them.<\/p>\n<p><strong>Alison Moore &#8211; Death and the Seaside<\/strong><\/p>\n<p>The third novel from one our UNESCO patrons is allusive and multi-layered. Moore keeps you alert and uses plenty of post-modern tricks, but in a unique, very personal way which always keeps the reader on board. I discussed it last week with the Arts Council&#8217;s new literature director, Sarah Crown. I liked it a lot, but not as much as the <a href=\"http:\/\/www.davidbelbin.com\/2016\/09\/august-reading\/\">review<\/a> in The Guardian, I told her. Oh yes, she said, I wrote that. Oops.<\/p>\n<p><strong>David Mitchell &#8211; Slade House<\/strong><\/p>\n<p>I normally rush to read Mitchell&#8217;s novels, but I read part of as a short story that he published it over a few days on Twitter and was &#8211; how to put this? &#8211; less than impressed. Yet, when I got round to this shortish novel, which I polished off on a long train journey, I soon discovered that it&#8217;s a very good kind-of-ghost story, one that gets increasingly satisfying as it develops. Isn&#8217;t that the problem with long ghost stories, that they frequently fizzle out long before the end? There is one problem with the book, which, like all of Mitchell&#8217;s novels, turns out to have references to other novels, especially his last one, the uneven\u00a0<em>The Bone Clocks<\/em>, and you really need to have read that for part of the new novel to work. But fair enough. Alison Moore&#8217;s novel also expects us to have read and thought about other novels. This is, surely, a reasonable expectation.<\/p>\n<p><strong>Sj<span class=\"author notFaded\" style=\"color: #000000;\" data-width=\"\"><span class=\"a-declarative\" data-action=\"a-popover\" data-a-popover=\"{&quot;closeButtonLabel&quot;:&quot;Close Author Dialogue Popver&quot;,&quot;name&quot;:&quot;contributor-info-B01E3V5C36&quot;,&quot;position&quot;:&quot;triggerBottom&quot;,&quot;popoverLabel&quot;:&quot;Author Dialogue Popover&quot;,&quot;allowLinkDefault&quot;:&quot;true&quot;}\"><a class=\"a-link-normal contributorNameID\" style=\"color: #000000;\" href=\"https:\/\/www.amazon.co.uk\/Sj%C3%B3n\/e\/B01E3V5C36\/ref=dp_byline_cont_book_1\" data-asin=\"B01E3V5C36\">\u00f3n<\/a> <\/span><\/span> &#8211; Moonstone: the boy who never was<\/strong><\/p>\n<p>Another from a UNESCO city of literature, this time Reykjavik, where the Spanish flu epidemic sweeps the city at the end of the First World War. A young gay man survives it, while coming under threat because of his sexuality. A short, satisfying afternoon&#8217;s read, beautifully written.<\/p>\n<p><strong>Elizabeth Strout &#8211; I am Lucy Barton<\/strong><\/p>\n<p>After the rave reviews, and seeing the terrific TV adaptation of Strout&#8217;s <a href=\"https:\/\/en.wikipedia.org\/wiki\/Olive_Kitteridge\">Olive Kitteridge<\/a>, I had high hopes of this. While it&#8217;s very well written, I came away slightly disappointed. I was expecting interconnected short stories but found a thin, fictional memoir about a sick woman&#8217;s relationship with her mother, with a little about a failed marriage and quite a lot about her relationship with a woman writer who may or may not be based on a real figure. It&#8217;s good, but, for me, didn&#8217;t add up to more than the sum of its parts, as a good novel should.<\/p>\n<p><strong>AD Miller &#8211; The Faithful Couple<\/strong><\/p>\n<p>This, on the other hand, got better as it went along. I picked it up cheap on Oxfam, having enjoyed Miller&#8217;s Russia-set debut, <em>Snowdrops<\/em>. The new one&#8217;s subject, male friendship, is typical first novel terrain and I wasn&#8217;t impressed at first. Reading on the lounger in the lawn, one hot day this week, I was annoyed to find that I&#8217;d got past page fifty. That&#8217;s my rule, you see. If I get past page fifty of a novel, I have to finish it. But, in this case, I&#8217;m glad I did. The writing is strong and the relationship (charting the fortunes of two very different friends who meet on a USA holiday, and are implicated in something bad that they did there) credible. Miller chronicles the messiness of life, with its built-up resentments and broken ambitions, very well. This would be a good novel to read for a take on metropolitan life over 18 years, from 1993. That said, there isn&#8217;t much call for novels like this these days, so, unless someone&#8217;s enthusiastic enough to turn it into a TV mini-series (hard since so much of it happens in the characters&#8217; heads, it probably won&#8217;t get noticed a lot, which is a shame. Anyway, I&#8217;ve got thirty pages left, and I want to know how it end, so I shall be finishing it over lunch before going into town for this evening&#8217;s City of Literature board meeting.<\/p>\n<p>What to read next? I&#8217;m rather spoiled for choice, as the photo above demonstrates. The bookcase used to belong to <a href=\"http:\/\/www.dawnoftheunread.com\/issue-14-01.html\">Stanley Middleton<\/a>. Nice to see Alison Moore give him a nod in her <a href=\"https:\/\/www.theguardian.com\/books\/2016\/aug\/24\/top-10-seaside-novels-beach-reading-graham-green-john-banville\">top ten books about the seaside <\/a>for The Guardian. Click on the picture for a closer look. The bottom shelf needs a little explanation. The novel on display is one that took me ages to track down, written under a pseudonym by my favourite novelist, Brian Moore, at around the time of the publication of his first novel under his own name, <em>Judith Hearne<\/em>. All of the books to the right of it are poetry collections. I&#8217;ve built up rather a backlog in the three years that I ran Jazz and Poetry Nottingham (now, sadly, in hiatus). I should probably start that fat Elvis Costello autobiography and read it before Bruce Springsteen&#8217;s memoirs come out. I&#8217;ve heard mixed reports of David Szalay, which is on the Booker longlist. Maybe I should try that. And I&#8217;ve been saving up Graham Joyce&#8217;s final novel. Also, the new Ian McEwan is published today, and Robert Harris has a promising looking one out in a couple of weeks&#8230; <em>so many books, so little time,<\/em> as the badge I bought at <a href=\"http:\/\/citylights.com\/\">City Lights<\/a> says. One of these days, I might even start writing another one myself.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2016\/09\/When-I-Write-the-Book-Everyday-I-Write-the-Book-Medley.mp3\">Elvis Costello &#8211; When I Write the Book (by Nick Lowe) &amp; Everyday I Write the Book (Medley)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I normally do a holiday reading blog around this time of year. We&#8217;ve been unable to get away, although a weekend in Whitby beckons. However, I&#8217;ve been enjoying the sunshine and my last month running our UNESCO City of Literature, whose first director, Sandeep Mahal, starts today, which is very exciting. I&#8217;ve been helping sort out the publication of the Dawn of the Unread book, and I&#8217;ve also done plenty of reading, finishing a book I started nearly forty years ago (see the post below), dipping into numerous short story and poetry collections and devouring a few novels. Here they are, in the order in which I read them. Alison Moore &#8211; Death and the Seaside The third novel from one our UNESCO patrons is&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1,6],"tags":[],"class_list":["post-3147","post","type-post","status-publish","format-standard","hentry","category-general","category-songs"],"_links":{"self":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/3147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/comments?post=3147"}],"version-history":[{"count":14,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/3147\/revisions"}],"predecessor-version":[{"id":3163,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/3147\/revisions\/3163"}],"wp:attachment":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/media?parent=3147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/categories?post=3147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/tags?post=3147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}