{"id":3417,"date":"2017-10-24T12:21:02","date_gmt":"2017-10-24T12:21:02","guid":{"rendered":"http:\/\/www.davidbelbin.com\/?p=3417"},"modified":"2017-10-24T12:26:26","modified_gmt":"2017-10-24T12:26:26","slug":"public-service-broadcasting-at-rock-city-october-21st-2018","status":"publish","type":"post","link":"https:\/\/www.davidbelbin.com\/blog\/2017\/10\/public-service-broadcasting-at-rock-city-october-21st-2018\/","title":{"rendered":"Public Service Broadcasting at Rock City, October 21st"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-3418\" src=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/Screen-Shot-2017-10-24-at-13.07.01-300x161.png\" alt=\"\" width=\"300\" height=\"161\" srcset=\"https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/Screen-Shot-2017-10-24-at-13.07.01-300x161.png 300w, https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/Screen-Shot-2017-10-24-at-13.07.01-768x411.png 768w, https:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/Screen-Shot-2017-10-24-at-13.07.01.png 820w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>Public Service Broadcasting hardly sound like the quintessential live<br \/>\nact. Their albums could double as the soundtrack to an installation or<br \/>\ndocumentary. 2015&#8217;s impressive album <em>The Race for Space<\/em> was recently<br \/>\nfollowed by an album with a less commercial but no less worthy<br \/>\nconcept. <em>Every Valley<\/em> charts the rise and fall of the Welsh coal<br \/>\nmining industry between the 1950&#8217;s and 1980&#8217;s.<\/p>\n<p>Founder J. Willgoose, Esq. on guitar, is joined by Wrigglesworth on<br \/>\ndrums and newest member J F Abraham on bass. Each also plays sundry<br \/>\nother instruments. They could be three bespectacled secondary school<br \/>\nteachers. Willgoose, from the back of the crowded floor, resembles<br \/>\nnewsman Robert Peston, giving enthusiastic, polite introductions.<\/p>\n<p>Illness forced me to miss them last year, but I was determined to see this tour and am delighted I came.<\/p>\n<p>A rammed Rock City is here for a good time. Two tracks from <em>Every<\/em><br \/>\n<em>Valley<\/em> set an intense mood, then the uplifting Theme From PSB gets the<br \/>\nparty started. It&#8217;s a relief, after half an hour, when the air<br \/>\nconditioning comes on.<\/p>\n<p>This is a joyous show, with PSB frequently joined by Two Brassy Gents<br \/>\nand, on They Gave Me a Lamp, Haiku Salut, who also re-emerge, dressed<br \/>\nas cosmonauts, for the encore (see Robin Lewis&#8217;s picture, above).<\/p>\n<p>I have rarely seen a more carefully balanced set.<\/p>\n<p>Blending songs from their two concept albums with the<br \/>\nless cerebral first LP, they create a set that flows logically to an<br \/>\nexhilarating climax. The video backdrops are outstanding, making<br \/>\nterrific use of archive footage and interviews. The only issue is that<br \/>\nsometimes the male Welsh voices are drowned by the music.<\/p>\n<p>Encores of Gagarin and Everest bring the 95 minute set to an<br \/>\nexhilarating close. Kudos to whoever came up with PSB&#8217;s witty, pre-gig<br \/>\nannouncement. This explained why it&#8217;s a bad idea to make films on<br \/>\nphones during the &#8216;hard rock\/soft pop&#8217; show. &#8216;But a few photos is<br \/>\nfine&#8217;. It worked a treat, with barely a camera in sight throughout,<br \/>\nenhancing a proper, beat driven, highly visual, Rock City classic<br \/>\nSaturday night.<\/p>\n<p>Apologies for the lack of recent posts: computer issues, trying to write a novel, start of term etc. I don&#8217;t put the majority of my Post reviews on here, but this one isn&#8217;t online. This month (below) I&#8217;ve also reviewed <a href=\"http:\/\/www.nottinghampost.com\/whats-on\/music-nightlife\/squeeze-nottinghams-royal-concert-hall-661917\">Squeeze<\/a> and <a href=\"http:\/\/www.nottinghampost.com\/whats-on\/music-nightlife\/slaid-cleaves-the-greatest-country-564547\">Slaid Cleaves<\/a> for them. Follow the links to read the reviews. Press &#8216;play&#8217; below to hear &#8216;Theme From PSB&#8217;.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-3417-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/1-03-Theme-From-PSB.mp3?_=1\" \/><a href=\"http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/1-03-Theme-From-PSB.mp3\">http:\/\/www.davidbelbin.com\/blog\/wp-content\/uploads\/2017\/10\/1-03-Theme-From-PSB.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>PSB setlist<\/p>\n<p>\u00b7 Every Valley<\/p>\n<p>\u00b7 The Pit<\/p>\n<p>\u00b7 Theme From PSB<\/p>\n<p>\u00b7 The Now Generation<\/p>\n<p>\u00b7 Korolev<\/p>\n<p>\u00b7 People Will Always Need Coal<\/p>\n<p>\u00b7 Go to the Road<\/p>\n<p>\u00b7 Night Mail<\/p>\n<p>\u00b7 Spitfire<\/p>\n<p>\u00b7 Progress<\/p>\n<p>\u00b7 They Gave Me a Lamp<\/p>\n<p>(with Haiku Salut)<\/p>\n<p>\u00b7 All Out<\/p>\n<p>\u00b7 The Other Side<\/p>\n<p>\u00b7 Go!<\/p>\n<p>\u00b7 Lit Up<\/p>\n<p>\u00b7 Encore:<\/p>\n<p>\u00b7 Gagarin<\/p>\n<p>\u00b7 Everest<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Public Service Broadcasting hardly sound like the quintessential live act. Their albums could double as the soundtrack to an installation or documentary. 2015&#8217;s impressive album The Race for Space was recently followed by an album with a less commercial but no less worthy concept. Every Valley charts the rise and fall of the Welsh coal mining industry between the 1950&#8217;s and 1980&#8217;s. Founder J. Willgoose, Esq. on guitar, is joined by Wrigglesworth on drums and newest member J F Abraham on bass. Each also plays sundry other instruments. They could be three bespectacled secondary school teachers. Willgoose, from the back of the crowded floor, resembles newsman Robert Peston, giving enthusiastic, polite introductions. Illness forced me to miss them last year, but I was determined to&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3417","post","type-post","status-publish","format-standard","hentry","category-songs"],"_links":{"self":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/3417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/comments?post=3417"}],"version-history":[{"count":5,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/3417\/revisions"}],"predecessor-version":[{"id":3424,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/posts\/3417\/revisions\/3424"}],"wp:attachment":[{"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/media?parent=3417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/categories?post=3417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidbelbin.com\/blog\/wp-json\/wp\/v2\/tags?post=3417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}